![]() It took a while to figure out the lay of the land.” “We went in 50/50 on all aspects of it but put no pressure on ourselves at first to accomplish any goal other than to expand creatively. “I saw a spark in her songwriting and thought it would be fun to collaborate with her as a musician and a producer,” Stykos wrote in an email last week. Zevon said Stykos reached out to her, suggesting that they “experiment” with Zevon’s songs in the studio. “Refugee” caught the ear of Kristina Stykos, a musician who runs an off-the-grid recording site, Pepperbox Studio, in Chelsea. Zevon spoke last week at the Worcester home of fellow musician Duffy Gardner, with whom she is collaborating on what she called “the next great rock opera,” a tale of homesteading and marshmallow-roasting called “Marshlands.” (That’s another story for another day, though she and Gardner plan to play songs from “Marshlands” at next week’s concert in Montpelier.) “It has been a huge deal in my life, a huge transformation, being able to accept and acknowledge myself as Warren Zevon’s daughter and a singer-songwriter on my own.” “For the most part I have to ignore him to get (music) out and not be too critical,” Ariel Zevon said, noting that one of her father’s Grammy Awards and his bust of Beethoven sit on the piano at her off-the-grid home in Peacham. Her detangling of late includes wresting herself from the influence of her famous father, late rocker Warren Zevon, whose sharp eye made her reluctant to pursue music on her own. “The Detangler” led to 15 more songs that populate the album of the same name that Zevon will celebrate with a show next week in Montpelier.
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